Live Brief: Keying with new lip sync technique

Trying to work around the foreshortening of the horse was rather difficult and provided a challenge to make it shake its head. However, it seems to have worked well once merged with the inbetweens, so I am glad the perspective of the horse's face is not askew. I used my previous faults from my keys to improve this scene, by not including the face of the barista until the inbetweener was finished with the bodies action. This meant they were not limited to the timing of the lip sync and could provide natural movement. Once the inbetweener had finished the shot they gave it back to me to fill in the eye and lip sync. This worked well and hopefully will be used for future scenes.